1/19/2024 0 Comments Roger deakins leica![]() ![]() “1917” | Roger Deakins, ASC, BSC | Camera: ARRI ALEXA Mini LF.| Lens: Signature Primesġ917 was shot 99% with the 40mm Signature Prime. ![]() As stated by Roger Deakins at that time: “The image that the Mini LF and the Signature Primes produce seems, to me, more like what my eyes see than anything else I have experienced so far.” BTW, the project was shot in ARRIRAW (4.5K). The goal was to get those tremendous dramatic long shots by using the large-format look together with natural light to enhance realism. In 1917, Deakins utilized the ALEXA Mini LF together with the Signature Primes, and ARRI TRINITY camera stabilizer system (operated by Charlie Rizek). Roger Deakins CBE, ASC, BSC, was the first to receive a working prototype of the ALEXA Mini LF. We covered this film from the beginning, as the first film that was shot on the ALEXA Mini Large Format camera. Sam Mendes’ latest feature film “1917” shot by DP Roger Deakins won 3 Oscars, including best sound editing, visual effects, and cinematography. Picture credit: ARRI ALEXA Mini LF and Trinity as the ultimate tools to execute long takes Roger Deakins Talks About the new ALEXA Mini LF. Let’s hear what Deakins has to say about the making of this film. Leica announced two new wide-angle SL lenses: 21mm f/2 & 14-24mm f/2.1917 which is the winner of Oscar 2020’s Best Cinematography, was shot by Roger Deakins on the ALEXA Mini LF with Signature Prime lenses. ![]() New Leica BIG Pocket Book 9th edition released.Andreas Kaufmann: “2023 is the best year in Leica’s history” The online catalog for the next Tamarkin Rare Camera Auction is now available.Lens (2023 version #11728) is now in stock in the US The new Leica Summilux-M 50mm f/1.4 ASPH.Send tips | news | rumors | guest post ideas These products represent the beginning of a new age of lens design and craftsmanship – The Age of Leitz. Visit Leitz at IBC booth 12.E79 and Cinec booth 3-C14 for more information. The set of primes and the set of zooms will both be available for pre-order directly from Leitz staff. The new lenses represent Leitz’s commitment to artistry and craftsmanship with expanded coverage for larger formats. Both feature a consistent T2.8 aperture with no ramping throughout the range. The wider zoom is 25-75mm and the longer one is 55mm-12 mm. The zooms are also designed for full frame/VistaVision coverage. The second preview from Leitz is a new class of zoom lenses slated for delivery in late 2019. Developed for full frame/VistaVision formats, the set ranges from 18 mm to 180 mm and features a T1.8 aperture. Leitz’s first preview is a set of 12 prime lenses scheduled for delivery in early 2020. ![]() On September 14th Cine lens manufacturer Ernst Leitz Wetzlar GmbH is offering an exclusive sneak preview of their product development roadmap at the IBC and Cinec trade shows.īest known for their prime lenses, SUMMILUX-C, SUMMICRON-C, M 0.8, and THALIA, the company Leitz, formerly known as CW Sonderoptic, is expanding into new territory with a new family of next-generation optics. Leitz is expanding into new territory of next-generation optics The zoom lenses will be priced around 30,000€ each while the prime lenses will sell for 45,000€ each. Leitz, formerly known as CW Sonderoptic, announced new cine lenses. ![]()
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